A mixed blog of fashion goodies
Have an idea for the Hint Blog? Email us.
Bookmark and Share

Thursday, March 13, 2008

The third and last part of Haidee Findlay-Levin's tips for fall...

RUN IN CIRCLES
It wasn't just the army of beautiful lips and bowl cuts that made our hearts leap at Yves Saint Laurent; it was the sharp, powerful, 80s-reminiscent tailoring, too. But here's what separates this season’s YSL and Louis Vuitton from Claude Montana and Gianfranco Ferré: the circular cutting and the curves in the jackets and skirts. In fact, some of the tulip and pod shapes we have seen at Vuitton and elsewhere this season are more Sebilla and Romeo Gigli—also from the 80s. I also noticed a variety of peplum jackets for fall. If the jacket was fitted, for the most part it had a sharp shoulder and a nipped or peplum waist, not only at Vuitton, but also at Yohji Yamamoto (left), where the peplum jutted out over long full skirts complete with a donut-rolled waist for an even fuller hip effect.

ARM YOUR ARM
The shoulder was the focus last season. Now it's the sleeve, such as those at Costume National that wrapped around the shoulder blade and formed a pod in the back, or those at Kenzo that draped into a cocoon shape or an origami-like envelope. We also saw sleeves originating from the neckline, as well as sleeves that separate at the back of the jacket, falling into a detached cape back, as at Véronique Branquinho and Junya Watanabe. At Lanvin, attention was paid to a single mutton sleeve—a remnant of the 80s!

EMBRACE LACE
Some designers chose to embellish areas of essentially monochromatic fabrics with jet beading, feathers, ribbon, fine pleating, ruffles and pasmanterie. But there was nothing superfluous at Prada (left), where the most startling form of decoration was the heavy tablecloth lace constructed into minimal and austere silhouettes, and made further monastic by the under-layering of high-collared shirts.

GET HIGH
The strength in Dries Van Noten this season came not only from the mix of dramatic prints, but that these potentially romantic dresses were offset by a simple high collar. Givenchy showed extremely high-collared pleated blouses, made less romantic by their coupling with leather trousers and military jackets. I loved it best at Yves Saint Laurent, where paper-thin turtlenecks were shown under tunic dresses, but extended well beyond into fingerless gloves. One known to take proportion to its ultimate extreme, Martin Margiela raised the collar so high above the shoulders as to become a cowl that almost completely obscured girls' faces.

THINK BIG
Indulge in vast and unapologetic explosions of costume jewelry for fall. What we saw were statement pieces that were more sculptural than sweet or sentimental. Balenciaga contrasted latex and severe cuts with diamanté-encrusted collars, while the collars and cuffs at Yves Saint Laurent (left) consisted of Pace Rabanne-like chain mail with enormous crystal studs. At Louis Vuitton, the soft pastel palette was punctuated with heavy metal chokers and huge brooches. Lanvin ran with the trend and showed enormous Deco-geometric, mirror-glass pendants and wrist cuffs. This new form of armor added a needed toughness to clean silhouettes. The combination of heavy jewelry with extreme shoes could mean your chiropractor will be your new best friend.

TAKE A DIP
There weren’t a lot of overtly sporty references this season, so it's safe to say you can burn your velour Juicy Couture tracksuits—and please do, if you haven't already. But there was a prevalence of scuba references. Miu Miu shook off its naughty baby-doll reputation and showed a series of dark satin scuba suits complete with Esther Williams-like swim caps. Or sometimes the scuba suit morphed into a tunic dress with bright-colored cycling shorts and sports tops peeking through laser-cut, abstract versions of lace. The addition of sequins made for a wet look that worked perfectly with the scuba references Balenciaga introduced so magnificently last season. Even Rick Owens discarded his more familiar draping and embraced open zippers that circled the legs like a scuba suit that was being slowly peeled off. Upcoming Olympics aside, the news that Hussein Chalayan is the newly appointed creative director at Puma may signal a sportier trend for him next season, as well as all those he influences.

Labels: , , , , , , , , , , , ,