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Thursday, August 6, 2009

Swede Rush

photography Jenni Porkka
styling Jamie M. Rosenthal
make-up Olle Johansson
hair Martin Christopher Harper
model Dani Karlsson
location Stockholm, Sweden


shawl Carina Sahlin, skirt Bruuns Bazaar, belt ACNE, leather glove Odds
bodysuit Calida, top Tiger of Sweden, wood bangles Echo of Deco
headpiece Nhu Duong



dress Fifth Avenue Shoe Repair
jacket Filippa K, gaucho jeans Levi's, headpiece Tour de Force, shoes Topshop



body stocking Disa Treutiger, skirt Fraulein Von Hast
top, jeans & shoes ACNE, headpiece Scherer Gonzalez



top Malene Birger, jacket Carin Wester, pants Nhu Duong
blazer Hugo Boss, skirt Fraulein Von Hast

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Thursday, January 22, 2009

Paris Men's Week: Day 1

By Rebecca Voight...

Why worry about your shrinking bank account when the really big problem is what to wear to the financial crisis? On the first day of the Paris men's shows for fall, there were enough men in plaid flannel shirts and work boots to fill all the lumber yards in Canada. Desperately seeking sartorial propriety, the boys (and girls) of menswear are determined to face hard times with New Deal grit—not unlike Dorothea Lange’s black-and-whites of migrant workers fleeing the Dust Bowl.

But while radical change is in the air, not all designers are working workwear. At Hugo by Hugo Boss, Bruno Pieters appears to have been beating the financial blues by listening to a whole lot of Kraftwerk, especially 1978's vocoder-ific “We Are the Robots." Allowing his taste for razor-sharp tailoring and dueling checks to go wild, Pieters also veered into Devo territory with Clockwork Orange overtones. The response was either love or hate; others just had to close their eyes.

Number (N)ine's Takahiro Miyashita opted to escape reality by time-traveling to the early 17th century, invoking D'Artagnan and the Three Musketeers in tattered brocade frock coats, britches and grandfather shirts. I’m not sure how, but several of Miyashita's musketeers even managed to look like Clint Eastwood in Sergio Leone's “The Good, the Bad and the Ugly.”


Number (N)ine

"When the going gets tough, just stay in bed" is what Yohji Yamamoto appeared to be saying in one of his best men’s collections in recent memory. Striped pajama sets and bathrobe coats worn with ski bonnets, oversized cardigans and leggings crumpled at the ankle like droopy socks are ideal for the laid-back, laid-off life.


Yohji Yamamoto

If Henrik Vibskov didn't stay in bed, à la Yamamoto, he only ventured as far as the hamper. The Danish designer capped the day’s shows with his “Human Laundry Service” performance at the Espace Saint Martin, one of those mysterious spiritual guidance places where people attend self-improvement seminars. I checked out a couple of their meetings, but unfortunately they weren’t doing anything seriously spiritual like channeling or flapping around on the floor. They should have seen what was going on upstairs!

Apparently the show Vibskov presented was only half of what he wanted to do because the room was too small to hold his entire Human Laundry Service apparatus, which originally involved water, of course. But he did manage to squeeze in five giant black-and-white striped treadmills manned by models dressed like surreal Tyrolean Elves. Oversized plaid shirts, bright and baggy long johns, shawls, blanket coats and candy stripe suits are for the man who combats economic adversity with joie de vivre.

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