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Thursday, September 3, 2009

Because You Can Never Have Too Many Collaborations...

Robert Geller for Levi's hits Bloomingdale's on 9/10...




Hussein Chalayan x J Brand jeans, shot in London's Design Museum...




Opening Ceremony for Keds & PRO-Keds debuts 9/10 with classic canvas styles...

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Saturday, February 14, 2009

New York Fashion Week: Day 2

First off, at the tents I was amused when I took a break in the VIP lounge—free food, people!—and asked the bartender how he was doing. His response: “Hey, free booze and hot chicks.” Well said, my friend.

Highlights from the day were Duckie Brown and David Delfin's shows, where it was all about proportion—very Balenciaga for boys.


Duckie Brown

CFDA/GQ award winner Robert Geller was a fave, the inspiration being turn-of-the-century Viennese imperial fops. Right up my ascot.

Victor Glemaud and Camilla Staerk joined forces for a dual fashion show, which was top drawer. Hot boys in knits and sassy ladies in flowy gowns.


Victor Glemaud

Wrapping up the day, I took a gander at the McQ for Target collection, which had fashion mavens disrobing on the spot, trying on tops, dresses and tees.

Finally, ever notice how people drone on about how tired they are from Fashion Week, then end up in your face at 4 am at an after-party? That was us last night, at Vic and Cam's after-party, where all the most amusing people landed: Vogue's Lauren Santo Domingo and Meredith Melling Burke, Philip Crangi, Kate Lanphear of Elle and KCD's Adam Shapiro. Then someone bought shots and I was done.

Now for blind item goodness. Which gossip editor just lost loads of weight and sashayed into the tents wearing an outfit he couldn’t fit into for ten years, only to realize hours later that his fly was agape?

—Cator Sparks

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Thursday, February 12, 2009

Men at Work

Hurray! I'm done with Fashion Week! At last night's hot box that was the CFDA/GQ nominations party (the champagne ran out because everyone was so parched!), I caught highlights from most of the men's collections I'm looking forward to and saw every editor/stylist/gad-about-town I'll see over the course of the week.

The first person I got a moment with was nominee Robert Geller, wearing a stunning bronze bow-tie pin. His father, meandering around the collection, was excited to tell me that even he, generations older than the models, could pull off some of the pieces. Well, if Dad approves, you're in like Flynn, right?

Next up was Andre 3000, who I didn't recognize because he was running around sans chapeau. He had nothing but great things to say when asked about his nomination, though he was a little chagrined at having to be stuck in the showroom presenting the line all week instead of gallivanting to the shows. Gotta sell, baby!

Now for a little blind-item fun. Which accessories designer, who had the sleeves of his blazer pushed up à la Miami Vice, did I say “Hi, Don Johnson” to, to which he retorted, “No, it's Westwood!”?

—Cator Sparks


Robert Geller, Andre 3000

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Monday, September 8, 2008

New York Fashion Week: Robert Geller

Robert Geller showed his softer side with an incredibly relevant collection that managed to touch on all the season’s key trends, while still refining a distinctive voice. Rock 'n' roll nostalgia? Check. Slouchy, early-Armani tailoring? Check. Soft pleating? Check. Greige palette? Check. The crowd itself embodied this romance, a musical wanderlust of sorts, kind of like Bob Dylan transitioning from folk to rocker. In attendance were Ryan and Chuck from The Cast (the latter in his signature curls, the former in Axel head band), Richard Chai and enough cute, slender boys to give the backstage changing room a run for its money.

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Monday, February 4, 2008

New York Fashion Week: Robert Geller

Robert Geller never ventures far from his German roots. Even last season, when he was inspired by the fluorescence of life in California, it was Teutonically tempered with references to conceptual artist Joseph Beuys. Now, the former Cloak designer fully embraces "meaty" darkness with a nearly all-black fall collection based on "Measuring the World" by German author Daniel Kehlmann, a book about exploration of the real and spiritual wilderness. The show began with military officers in cadet pants, taut suspenders and buckled coats, and ended with nomadic monks in distressed leathers, Himalayan vests and blanket-sized scarves around their shoulders. Here, clips from the show and a backstage chat...

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